Furlough Erasures

In addition to the Walking My Own Furlough activities, I have had a daily project which I have been a bit hesitant about sharing. However, it has been a part of my routine and it now half fills a sketchbook.

I sometimes receive proof or galley copies of books as part of my bookshop job. These cannot be sold on in anyway – so not for the charity shop when they’re read. If I don’t feel the need to keep them, and no one else at the shop wants them, I have been tearing them up and putting them in the recycling. So partly inspired by Tom Philips ‘A Humument’ project or the work Austin Kleon sometimes posts online, I have been making erasures. Each day of my furlough I have randomly selected a page from a publisher proof and ‘treated’ it in some way by erasing parts of the text. I don’t claim artistic or poetic greatness in this, or any degree of originality but it has been a daily creative project to keep me going even when other activities have descended into procrastination. Some days pages are more successful than others, but in any case I hesitantly share some of the better ones here…

Furlough Erasures (4)Furlough Erasures (5)Furlough Erasures (2)Furlough Erasures (6)Furlough Erasures (1)

#WalkingMyOwnFurlough

During my lockdown I’ve been trying to get out walking – I am very lucky to live in a rural village. Rather than just ploughing my own furrow, I’ve been Walking My Own Furlough. On some of these walks I take pictures (with my phone, as it’s less cumbersome and using a DSLR gets you dirty looks at the moment – not that I see very many people). During other state-sanctioned exercise, I just walk. For all of them, however, I have been using an app to track my movements. This results in a ‘sort of’ drawing of my furlough. So far it looks like this…

furlough walking
Furlough tracks up to 24th April.

Many of the pictures I have taken have ended up on Instagram or my Facebook page, Perambulations. Below are a couple of this week’s walks. I have also been trying to work on the Groundwork’s Landlinks project and on another little daily project which I don’t quite have the confidence to post about yet…

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April 20th

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April 24th

 

Stone Peculiars Part 2

Following on from one holey stone, Minchinhampton Longstone, we move to a whole group of them.

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The Rollright Stones – technically in Oxfordshire but still the Cotswolds. This site comprises a stone circle, with standing stone and remains of a barrow standing slightly further off. The circle itself has been much ‘adjusted’ by well-meaning antiquarians – adding stones to the existing circle – however it still retains the reputation for being uncountable.  Legend has it that it is impossible to count the King’s Men: the stone circle. It is said that the man will never live who shall count the stones three times and find the number the same each time but is also said that the same counting task will give the person their heart’s desire fulfilled. A baker swore he could count them and, to prove it, he baked a quantity of loaves and placed one on each of the stones. But each time he tried to collect them up some of the loaves were missing, spirited away either by the Devil or by fairies.

Other tales of the Rollright Stones include their use in fortune telling, some bad luck stories and various stones going down the hill to drink, as the Minchinhampton Longstone was said to. Most famously perhaps is the story of their origin. The Stones take their names from a legend about a king and his army who were marching over the Cotswolds when they met a witch who challenged the king by saying, “Seven long strides shalt thou take and if Long Compton thou canst see, King of England thou shalt be”.  On his seventh stride a mound rose up obscuring the view, and the witch turned them all to stone:  the king became the King Stone; his army the King’s Men; and his knights the Whispering Knights (plotting treachery).  The witch became an elder tree, supposedly still in the hedge:  if it is cut the spell is broken the Stones will come back to life. It is also said that as one tree dies another grows and in summer when the flowers blossom, if her bark is cut, she will bleed. On midsummers eve people would form a ring around the king stone whilst one man cut the elder witch and as she bled the king’s head would move his head.

Fairies were said to dance around the king stone. The king’s stone is a slightly eccentric shape because 19th century tourists would chip off bits for luck. This despite the legend that any passing carrier who chips bits off the King Stone will find the wheels of his cart become irrevocably locked!  Girls would go up to the whispering knights pressing their ears to the stones in the hope of hearing their fate.

As with other stone monuments there are difficulties or dangers in trying to remove stones. A local farmer supposedly took one of the largest stones to make a bridge over a stream. It took 24 horses to drag the stone down the hill and a man was killed on the way.  Eventually they got the stone across the stream, but by the morning it had flipped over onto the bank!  This happened each time they replaced it; then the crops failed, so they decided to put the stone back.  It only took one horse to drag it up the hill!

For more gems of local folklore seek out a copy of the excellent book ‘Folklore of the Cotswolds’ by Katharine Briggs.

First Friday Walk | April | Walking together, alone | Scripted Walk.

A 0.5 km circle drawn around home, walked around as far as possible with stops at most northerly point, the East, the south, West & back to north. Each stop had a prompt from Walking the Land

The walk was tracked by ViewRanger and at each stop I checked What3Words for my location.

Their script in blue – Setting off at 13:15 –
Head north you meet the circle.

Once you’ve reached as far north as you can, we invite you to respond to: added to works  in your choice of other media, please tell us what can you hear or can’t you hear, that you’d normally expect to? Using words, prose or poetry – How does it feel?

North = lakes.shortens.grudges
Traffic sound only a whisper, birdsong a hallelujah chorus; in more usual and healthier times the opposite applies

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The First obstacle to walking the circle in a circular way.

Set off heading clockwise, keeping as close to the drawn circle as you can. Walk until you reach the closest point along the circle that is the most easterly point. Time then for: make a work using your choice of medium that shows 3 different and contrasting subjects, either made or natural. 
East – Subsystem.arts.barn 

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Set off heading clockwise, keeping as close to the drawn circle as you can. Walk until you reach the closest point along the circle that is the most southerly point. Time then for: What signs are there of Spring? How does it make you feel to be outside?

Prompt 3

Set off heading clockwise, keeping as close to the drawn circle as you can. Walk until you reach the closest point along the circle that is the most westerly most point. Time then for: describe, draw and photograph one small object you can see. What significance has it got? Show that small object and how it sits in it’s environment
West – losses.quote.swatted

Prompt 5
Enter a a weathered fragment of brick, probably from a World War 2 RAF dispersed site building used during Operation Market Garden.

Prompt 5 A
Found in a ploughed field

Continue your walk until you reach the most northerly most point again. You’ve now completed a circuit, returning to a point from a different direction. 

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Reflect on the walk and create a map that shows your encounters on the walk – encounters can be with things physical and with those that are more personal; your feelings, emotions etc.

FFW_April-map

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Groundworks Landlinks project – a walk guided by a script. A group of artists taking simultaneous but geographically separated walks. At each instructed stop pictures were taken without attachment to particular subjects and in response to certain prompt words. recording the routes on ViewRanger and noting the stopping places using what3words. The prompt word here was growth.

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https://vimeo.com/user32957191/review/402930936/890b0c14fd

ViewRanger Route

Stone Peculiars Part 1

Corvid-19 postponed my talk at the museum, where I work one day a week. However, as small portions of it came from previous research I had done for various art projects and used my own photos, I thought I could share a couple of snippets.

In the museum we tell you the story of prehistory through the archaeology of these sites but for hundreds of years they were explained in a very different manner. After all, how would you explain a mysterious hump in the ground or standing stone if you hadn’t the benefit of the twentieth century’s archaeological discoveries?

minch longstone1minch longstone2

Let us begin with the Longstone of Minchinhampton. Situated 1 mile east of the village, the stone is 7.5 feet high and 6 feet wide. It has holes pockmarking it, some of which go through the stone’s 15” depth.

It is said that a ploughman who found the stone impeded his ploughing tried and yet failed in an attempt to pull out the Longstone, no matter how many oxen he set to the task. The notion that standing stones are immovable may be partly inspired by awe in their mysterious presence in the landscape but also their reputation for being a little like icebergs, having more below the surface than above. This is not the only tale associated with this holey stone. Like many other standing stones in folklore, this large rock is said to walk around the field in which it stands at midnight, and occasionally wander to the spring at Minchinhampton to have a drink.

In a slightly perplexing practice, it has also been said that mothers were said to have passed their children through the largest hole in the stone to cure them of rickets or smallpox. The hole in the Longstone looks like it would have been quite a tight fit for even the smallest child. This connection between stone holes and curing rickets pops up in other places like Men-an-Tol on the Penwith peninsula in Cornwall. Having crawled through this particular stone hole I have to say it’s more likely to give you backache than cure any ailments.

For more gems of local folklore seek out a copy of the excellent book ‘Gloucestershire Folklore’ by Roy Palmer

 


	

#Terminalia 23rd February

I was really interested when Kel Portman of Walking the Land posted that he wanted people to respond to the Roman day of Terminalia. Taking a walk along an invisible boundary. I had looked into Terminalia and its more recent version ‘beating the bounds’ but had never done anything with it. My excitement was swiftly curtailed by discovering, on looking at my calendar, that this year’s Terminalia fell on a Sunday – a working day with no hope of rearrangement. Undaunted I hatched a couple of potential plans to enable me to respond to Terminalia in a more limited way. Forgive my limitations and hopefully appreciate the impulse to engage.

If for 8 hours of the day I can’t really leave the building in which I work, then the invisible boundaries which I walked within were those created by my job and its responsibilities.

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The thresholds of the building providing the points of escape only possible when responsibility is relinquished.

Terminalia 1

Terminalia 2

Terminalia 3


In walking the floor of the bookshop, I am partially walking floor of Clappens who traded in the oldest parts of the building before us and before the bank. Walking the invisible boundaries of a nineteenth century tailors and outfitters overwritten by a bank and a shop.
These boundaries deduced from a map can be described through Just 3 Words thus…

Piston Glides Quicksand
Hurtles Outpost Trainers
Fatherly Trample Pastime
Alternate Fields Jelly
Gossiping Lessening Bootleg
Asked Mirror Ducks
Coconut Roofer Overdone
Stun Acute Motoring
Workforce Exchanges Decompose
Number Tailed Chromatic
Gets Upholds Litigate
Shuttling Retire Played
Dignity Plea Pads
Auctioned Beakers Conned
Lollipop Coach Luck
Famed Thudding Technical
Opera Buzzing Enlighten
Bend Political Hovered
Self Jeering Swimsuits
Node Guess Reorders
Costly Angers Reputable
Besotted Pulse Aged
Quietest Suffice Jumbled


Once released from those invisible boundaries and in similar impulse in a short action in the name of Terminus, I walked the invisible boundary of the Forge which after several hundred years was burnt down and then replaced by the garden of a house where I live. Using old maps to find it and Just 3 Words to describe it.

Allow Selects Encourage
Tonality Oldest Requested
Diverts Grunt Flipper
Gambles Instead Lost
Remake Vacancies Amount
Retract Household Slices
Defender Beads Left
Vines Medium Hockey
Pesky Functions Bricks
Storybook Ranks Scarred
Pets Reclining Supple
Lighter Newlyweds Summer
Sailors Dives Descended
Geologist Jotting Uproot
Differ Gentle Loitering
Blanked Diagram Overt
Curbed Confining Symphonic
Shark Cope Distilled
Roosters Mammal Order
Acclaimed Scoop Cake
Leads Nips Lost
Allow Arranger Lift
Spoiled Embellish Homewares
Dentistry Sofa Loser
Pigtails Rosette Join
Concerts Knots Unsigned
Post Mainframe Grasp


I thought I could make something of these words,… I did but with mixed success – some words really weren’t helpful.

Oldest bricks differ, left spoiled,
embellish, uproot & retract; encourage
gentle arranger, storybook order loitering leads.
Cope.
Curbed ranks, jotting unsigned.
Concerts symphonic tonality selects
lost functions, instead confining
acclaimed defender, scarred lost.
Beads supple knots.

Household requested homewares lift,
allow reclining sofa geologist.

Join hockey roosters, pigtails, rosette loser;
dentistry grunt, allow. Pesky pets, nips,
scoop cake slices.
Mammal dives, flipper lighter
descended, shark gambles.

Summer vines grasp mainframe post,
distilled medium diverts sailors & newlyweds



	

Pinning & Fulling the Valley #GhostMills

August is proving a busy month – preparations for my contribution to Walking the Land‘s #GhostMills exhibition at SVA for the Wool & Water Festival

I became interested in pin-making. Four former cloth mills in the Nailsworth valley became pin-making mills in the later nineteenth century: Lightpill, Frogmarsh, Pitts & Freames (these last two on the Inchbrook which flows into the Nailsworth stream). Pins and water had occupied my thoughts during the last project I was involved in, through their folkloric associations, but these ideas were shelved because it was all getting a bit muddled. When this Ghost Mills project came up it seemed a perfect opportunity.

I walked the path that followed the old railway line from Nailsworth to Stroud which also follows the course of the stream. It’s a lovely walk but as a heritage junky it was Frogmarsh that appealed most. You can see the old bits of the original mill and the various additions can be seen in the walls. It also has a round tower close by which is called the Teasel Tower, where teasels were dried. Teasels were used by fullers to nap the woven woollen cloth. There was a solitary teasel plant growing on the verge by the oldest part of the mill which had a nice circularity.

I had the main building blocks which after a couple of false starts slotted together to form ‘Pinning & Fulling the Valley’. I got hold of woollen cloth made in Stroud and thousands of pins, and after many pricked fingers, the piece is coming together.